YouTube Clip-Based Fight Scenes

The film "Everywhere and All at Once" gains its distinct charm through its unconventional fight scenes. Rather than aiming for realism, the creators aimed to create impressive and amusing duels. To achieve their goals, they incorporated dance elements into these scenes. In this regard, the film's directors and producers turned to professionals from the renowned YouTube channel Martial Club, who took on the role of fight choreographers.

Martial Club is a popular YouTube channel specializing in videos that showcase traditional and contemporary martial arts and acrobatics. The collaboration between the film's team and Martial Club resulted in exhilarating fight scenes, where the actors seamlessly blended dance with martial arts, creating a true harmony of movements.

No Need for Taekwondo

During the casting process, the actor who portrayed Weymond Wong, Kuan Ke, was questioned about his experience in martial arts. Kuan, who held a black belt in Taekwondo, disclosed this information during the casting. However, in the final film, he only had one fight scene, which involved the use of a belt bag reminiscent of nunchaku techniques.

Raccoon - A Robotic Creation

In the film, the raccoon, one of the main characters in the universe where Evelyn is a chef, was not created using computer graphics as one might assume. Instead, a robotic puppet was used to bring the character to life. This decision allowed for a more tangible portrayal of the raccoon on screen.
The robotic puppet was controlled by two specialists who worked in tandem. This approach enabled simultaneous control of multiple movements, giving the character a unique and expressive presence, creating the illusion of a lively and active entity.

Affordable Lighting Setups

Despite having a limited budget, the creators of the film "Everywhere and All at Once" embraced the constraints and found creative solutions to bring their vision to life. Instead of building sets from scratch, which would require significant expenses for lighting equipment and rigs, the producers made the decision to rent an entire office building.

The office building proved to be the perfect choice, allowing the film crew to maximize the resources at hand. They utilized both the existing office lamps and fixtures, as well as portable lighting setups. Through meticulous lighting work and resourceful utilization of available equipment, they were able to create the desired atmosphere and mood in the film.

It's important to note that despite the limitations in lighting, the gaffer and lighting team managed to transform the office building into a visually stunning and cinematic environment. The final result of the film impresses with its high-quality visuals, a testament to the creative and professional craftsmanship of the team.

The Costume Designer's Hell

The film's costume designer faced tremendous challenges and responsibilities in creating the wardrobe for this project. Each character in the film had their unique appearance in each of the universes, requiring the costume designer to develop dozens of costumes for each of them.

This meant that the costume designer had to carefully study each character and their personality in each of the worlds to create the appropriate attire. The costume designer strived to consider not only the characters' external appearances but also their individuality, inner world, and role in the plot.

However, the greatest challenge came with the character of Jobu Tupaki. The unique aspect was that within a single five-second scene, the costume designer had to switch between multiple outfits. It required maximum effort to ensure that each Jobu Tupaki look was precise and distinctive, highlighting her ever-changing nature.

Unexpected Location Choice

The film impresses with its variety of locations, creating the impression of different places. However, few people know that most of these locations were built inside a single office building that was on the verge of closure due to a crisis. The use of such an unconventional location turned out to be a brilliant decision, allowing significant savings in resources and costs.

Inside the office building, there was already a fully furnished workspace that perfectly suited the main universe of the film—a tax office. The team was able to utilize the existing office interiors, adapting them to the requirements of the script. This significantly reduced the expenses for building complete sets and simplified the process of creating the desired atmosphere.

Furthermore, within the same business center, the team created sets for other scenes. For example, the Wong family's apartment was entirely constructed within the same office building. The makeup room, dining area, and even sleeping spaces for the crew were also located here. This greatly streamlined the organization and logistics of the filming process, minimizing the need to build additional sets for other locations.

Remote Voice Dubbing

In the process of creating the film, which received seven Oscars, the team of creators decided to leverage modern technology to optimize their work. One of the innovations they implemented was conducting remote voice dubbing approvals instead of requiring the entire team's physical presence in the recording studio.
Traditionally, the dubbing process involved live coordination, which could require significant time and financial investments. However, the film's creators chose to streamline this process by taking advantage of video communication.

The film "Everywhere and All at Once" demonstrates that a creative approach can lead to amazing results. Every aspect of the film's creation reflects the boldness and originality of the team of creators. Budgetary constraints stimulated the team to seek unconventional solutions, resulting in a magnificent visual experience on screen. This film serves as an inspiration for future filmmakers and reminds us that the boundaries of possibilities expand when we embrace new ideas and approaches.